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willaful-review-the-chocolate-kiss-by-laura-florand

chocSensuality rating: Steamed and Chocolate Dipped

I was a little nervous starting this. Florand had two five star books in a row, for me — could she possibly pull off a hat trick? Yes. Yes she could.

Magalie, the daughter of a trans-continental marriage, spent her youth being shuttled between France and America.  As an adult, she made the most secure, permanent home possible for herself in the whimsical, witch themed chocolate shop of her aunts, cooking chocolat chaud that she infuses with appropriate wishes for its drinkers. (One of these fortunate drinkers was Cade Corey, heroine of The Chocolate Thief, and it worked out very well for her.) When world famous patissier Phillipe Lyonnais decides to open a new shop on her street, Magalie feels threatened enough to move out of her comfort zone and beard the lion in his den. Phillipe tries to soothe her with one of his exquisite handmade creations, she defiantly refuses… and the battle is on.

The Chocolate Kiss is very like Florand’s previous amour et chocolat books in many ways, but has a few key differences. In this story, both characters put their heart and soul into their delicious sweets, and their increasingly desperate efforts to make the other have a taste makes for one of the most delicious wars in the history of romance. Phillipe continually outdoes himself in dreaming up symbolically meaningful pastry to woo Magalie.  The defiant Magalie tries to infuse humility for him into her chocolate, yet keep unconsciously stirring her own unadmitted longing for Phillipe into it, causing him to be constantly pursued by random chocolate drinkers.

The story also differs from the previous books in being unexpectedly sad, at least for me.  Magalie is so wounded underneath the desperate armor of her Parisian chic, I couldn’t help crying for her.  For awhile I was even aghast about Phillipe’s seeming indifference to how much his shop threatened Magalie, because I identified so strongly with her that despite her aunts’ unconcern, I didn’t realize it was never a genuine threat.

Florand makes art and magic with words as she describes how Phillipe and Magalie make art and magic with food. Every word had meaning; I had to keep slowing down and going back, to savor phrases that had rushed by too fast to be appreciated.  She fills her books with rich metaphor — like all of her food magicians, Phillipe is his creations, but he is also a lion, and a prince, and he’s wary that a witch might turn him into a beast (or a frog.)  Magalie is a witch trying to stifle her longing to be a princess, but she’s also Rapunzel trapped in her tower, and a dessert that melts into goo from Phillipe’s attention. It sounds overly complicated and mishmash, but it all swirls together into a perfect mix of flavors.

This phrase struck me as being representative of Florand’s unique style:

“His laughter expanded into the whole room, his energy embracing everyone and everything in it. And that bell in her shop rang again, pure and clear, piercing her through the heart — which hurt like hell — and holding her there, impaled for somebody else’s pleasure.”

I love how her characters embrace metaphor so thoroughly, they make it almost literal. They also invariably think along the same lines — while Magalie tries to make sure no chocolate skulls are left off the fence that guards her Baba Yaga display, Phillipe immediately notices the one that’s fallen, which means the fence can no longer keep a prince out. This completely works with the gentle magic realism that’s especially strong in this story.

I read this with gusto, making gleeful noises and awwws and sobs as I went. I adored Phillipe, so large and competent and sure of himself, yet so vulnerable as he falls hopelessly in love with a walled-off princess who thinks she can’t have a prince.  (I was amused when I looked up “Magalie” and discovered it means “pearl” — she could not be more aptly named.) He truly needs the patience of someone who takes the utmost, delicate care with his work. And I cheered as Magalie starts letting her armor drop enough to enjoy a run — impossible in the high heels she unusually insists on — and even begins to believe in the power of her own magic.  It’s yet another 5 stars — or maybe that should be 3 Michelin stars. You can buy it here.

Published by Kensington. Review copy from the public library.

willaful-review-rafe-sinclairs-revenge-by-gayle-wilson-tbr-challenge

rafeSensuality Rating: lightly steamy

The Challenge: Read a book by an author with more than one book in your TBR

Gayle Wilson is one of my favorite Harlequin writers. Her historicals have a emotional quality that reminds me of Mary Balogh.  I’ve also enjoyed several of her contemporaries, but sadly, this romantic suspense story left me cold.

Suffering from severe PTSD, Rafe Sinclair left both the CIA and his lover Elizabeth; he’s spent the past six years doing carpentry in an isolated cabin. But the past refuses to let Rafe alone, and a threat to Elizabeth is all that’s needed to flush him out. Now he needs to discover if the despicable terrorist he killed six years ago could somehow have survived to haunt them.

Nothing about this story ever caught fire for me. Instead of sympathetic, I felt impatient with Rafe for deserting Elizabeth instead of seeking treatment for his PTSD. (And unless I missed it, he never does — they just decide to live with it!) The suspense isn’t suspenseful. And there was way too much backstory for a book that’s supposed to be beginning a series — it’s a spin-off, and tons of previous storylines and characters clutter up the place.

This isn’t much of a review, but if I keep going I’ll just put myself to sleep. I’m giving this book 2 stars, for some tender moments between lovers who could never forget each other. It’s out of print, but you can buy it used or for Kindle here.

Published by Harlequin. Review copy obtained from paperbackswap.com

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md

 

If your mom becomes famous, what will it be for?

 I don’t know. She might get mentioned in the newspaper for having so many books…

 

What is your mom not very good at?

 I want to say “getting rid of books,” as a joke.

 

What does your mom do for a job?

 A librarian, previously.

 

What is your mom’s favorite food?

Well, I don’t know what goes on in there when I’m not around. Because the smell.

 

What makes you proud of your mom?

I’m proud of her because she’s gotten rid of so many books already!

 

How are you and your mom different?

I think it’s because I’m a man and she’s a woman.

 

Where is your mom’s favorite place to go?

 My arms! Also her office, because it has her computer and stuff.

willaful-review-a-prior-engagement-by-karina-bliss

Manually ReleasedSensuality rating: Steamy.

I wish I were good with photoshop, because it would be so fun to depict this story ala Twitter:

Lee Davis @leemealone Hey, it’s great to be back with the people who truly love me. #subtweeting #womenbebitches

Juliet Browne @needsnoromeo That awkward moment when your lover returns from the dead right after you finally slept with another man.

I have to joke a little, because this was such an intense read. Reading the first half felt like someone had grabbed my heart and was gently squeezing. The second half changed direction, but was equally powerful.

When Jules gets the news that her lover Lee hadn’t died in Afghanistan after all, her joy is mixed with apprehension.  For the past two years, she’s been playing the grieving fiance for Lee’s family and friends — the grief was completely genuine, but she couldn’t bear to tell them that she’d rejected Lee’s proposal before he went on tour. Lee, severely traumatized from his time as a POW, is suspicious of Juliet’s motives when he learns of her involvement in his family’s life and acceptance of his estate. When she doesn’t immediately confess her deception, he embarks on one of his own to punish her, pretending he doesn’t remember anything past his intention of proposing.

The vindictive hero/misjudged heroine dynamic is one that I absolutely love, and which we don’t find much in realistic contemporary romance any more, because it’s hard to write a hero who isn’t a despicable jerk. Here there’s such strong backstory that it works — both Lee and Juliet have been through a wringer, and it’s easy to cut them some slack. Lee’s frequent pangs of conscience and inconvenient feelings for Juliet also help redeem him.  As is common with this sort of story, Juliet comes very close to seeming like a martyr, but again, her history and character makes it plausible. And I vastly admired her clear-sighted and honest reaction when the truth finally comes out.

The story loses some steam after the big reveal, going on to concentrate on Lee’s difficulties with PTSD and integrating back into normal life; the two halves aren’t a seamless fit, but both evoked strong emotion.  The depiction of how it feels to be Lee is evocative and touching, with both deeply upsetting and positive aspects. Here he is after soaking up his first rain in years:

When at last he climbed into the car, water had plastered his hair to his skull and the sodden t-shirt clung to his body, revealing every rib, every sinew of lean, wasted muscle. But his green eyes were luminous, as though the rain had filled him to the brim and spilled over.

This is the final book in a series I hadn’t previously read, and the previous couples are big parts of the story; although it stood alone fine, I suspect reading them all in order adds even more to the experience. (There are also some possible spoilers.)

Four stars for good writing, great characterizations, and my favorite gut-punch. You can buy it from Amazon here.

Published by Harlequin. Review copy provided by NetGalley.

boredom-in-death

Boredom in Death

Friday, May 10, 2013
Posted in: willaful

stop

 

 

 

 

 

Lately I’ve been wondering if I should give up on the “In Death” series. Thirty-six books plus novellas in, they’re still decent reads, with suspense, and humor, and characters I’ve grown fond of. But I’m also racking up a list of annoyances.

Eve is always right. Not that she doesn’t make mistakes, but she’s an unbeatable, unfoolable judge of character. This leaves very little room for real mystery of the “whodunnit” variety. There’s no point in suspecting someone Eve doesn’t suspect.

Only Eve and Roarke are allowed to have conflict. It’s great that they do have conflict, and that their relationship continues to evolve. But all other relationships in their sphere are eternally roses and sunshine. Love happens at first sight and with complete understanding. Parenthood is nothing but smiles and burbles. Perhaps the intent is to increase the comfort level of the book, when so much that happens in them — murder, rape, torture — is upsetting to think about.  But part of Eve’s journey is learning how to have people in her life, how to be a good friend. How can she fully achieve this when none of the demands of friendship are ever made upon her, when she never has to provide a shoulder to cry on or a couch for the night? And really… the secondary characters are just getting dull.

The worldbuilding is inconsistent. This is perhaps an inevitable result of writing a futuristic series for almost twenty years. Technology catches up, or goes in a different direction.  What something futuristic — a ‘link, an autochef — meant at the beginning of the series now means something else.  I tried my geek husband on the series and he liked it enough to read more than one, but as a science fiction reader, he just couldn’t take it for long.

I’ve seen people argue that the series has gone on long enough and should just stop. I wouldn’t necessarily say that, but I think it would be great if it would slow down. If Robb didn’t write so many books, so fast. If she took time to give some thought to what could happen to the characters besides another crime to solve, to what real life holds for most people, to what the future might be like aside from her original vision. For now, what we’re getting is In Dearth.

that-boat-is-still-sinking

Remember Karen’s post, way back when, about Jill Noble leaving Noble Romance?

There was a longish thread where at least one Anom (not my typo, people) defended poor lovely Jill and the publisher as a whole. Pretty much everyone else, from Erastes to Brita Addams, J. S. Wayne to Lori Green, and other Noble Romance authors, were pretty pissed at a) how Jill Noble had abandoned ship, and b) how things didn’t change by much with her exit.

(You can still read some of the posts by checking the link round up at Bryl R Tyne–some of them take you to dead air, but the ones still standing are worth spending a few minutes on)

Well, this is close to a year later, and things are…yeah, you guessed, pretty much the same. Different flavor, same bullshit. Jane at Dear Author shared a bit of what one author is going through, trying to get her work distributed to the venue where it sells best.

Charming, eh?

And then we learned some more (from author Kari Gregg):

For the love of all that is holy, yes, AVOID NOBLE ROMANCE. You can read about my experience with Noble releasing a second edition paperback of my Spoils of War that is a grossly inferior and substandard product here. Well, that has details I was willing to give the public, anyway. Noble released the second edition paperback in October 2012 without notifying me so I was totally unaware it existed or that there were problems until April 2013. Dimensions that are approx. 11?x9?, no title page, no page headers, no page numbers, no chapter breaks…and readers had been buying that atrocity for six months. Good God.

I’m filing a claim against Noble in Georgia magistrate court, not only due to the second edition frankenpod but also issues I haven’t mentioned or discussed in public. Unless writers would like to follow my footsteps into court…no. Just no. Stay away.

(read more here)

Authors, it behooves you to beware. The rest of us stare in amazement at the shenanigans and implosions, but these are your careers. Even in the many cases where the writing income is minimal, it’s surely not worth the headache, ulcer and general aggravation, right?

Edited to add: author Brita Addams has a current post on her own issues with Noble Romance here

Further edit, May 3rd: author J. S. Wayne posts about breaches of contract and reversion of rights

 

Edited to correct spelling–apologies to both authors!

willaful-review-painted-by-the-sun-by-elizabeth-grayson-tbr-challenge

painted

Sensuality rating: Steamy

The Challenge: Read a book by a “New To Me” author.

To find a book for this challenge, I  checked out my print TBR, sorted by oldest received. It was an eye-opening experience. Book after book — more than 50 — by authors whom I’ve glommed, many I’d consider favorites. And I’ve owned these books for years.

It helped me get tough when I finally got to the NTM authors. Was this someone I wanted to spend time on, time I could be spending on unread Jo Goodman or Laura Kinsale books? I almost always go through a few culls before settling on my final TBR challenge book, but this time, I got rid of 7 books first. My most effective TBR challenge month so far!

Painted by the Sun managed to catch my restless attention with an unusual premise: the heroine is searching for her missing child, who was sent away on an “orphan train”  ten years previously. I’ve read many children’s books about the orphan trains, but I think this is the first time I’ve encountered them in a romance.  The premise is also interesting because Shea is working as a traveling photographer, a complex profession in 1875. The title comes from a quote by Ambrose Bierce: “Photography is a picture painted by the sun.”

While trying to take a picture of a hanging, Shea fall afoul of Judge Cameron Gallimore, a man who’s pretty sick of having to sentence people to death. He puts her camera — and her — into temporary custody. At first Shea is heartsick over the missed financial opportunity, but then comes around to the judge’s point of view: “she didn’t want to be able to make hundreds of copies of what she had seen, or relive what happened every time she did. She didn’t want to implant that image in anyone else’s mind…. She was a photographer, a business woman, not a mercenary. She was proud of what she did, and she would never have been able to be proud of this.”

Shea and Cameron next meet under even more fraught circumstances, when she saves him from men trying to take revenge for their friend’s death, and is badly wounded in the process. After Cam takes her home to be nursed by his housebound sister Lily,  Shea comes to care for the whole family and deeply envies their close bonds — especially with Cam’s ten year old son, Rand.

I can’t talk much more about the plot without spoilers, but I will say it’s very heavy in coincidences; by the middle of the book, the implausibility of it all was getting exasperating. By the end however, the threads had all been woven together with surprising delicacy, and I was once again charmed as I was at the beginning.

There’s a lot of heavy stuff going on in this story; every character has at least one source of major angst in their life, much of it centered around the Civil War. It’s a surprisingly easy, flowing read, but I think that’s partially because many of the angsty plot points get shortchanged.  The slow-growing romance is very tender and supportive, and the various child characters tugged effectively at my heartstrings,  but overall I don’t think it quite reached its potential. I’m giving it 3 1/2 stars; it’s out of print but available through paperbackswap.com or you can buy it used here.

Published by Bantam Books. Review copy owned by me for so long, I don’t remember how I got it.

got-my-mojo-shrinking

Got My Mojo Shrinking

Sunday, April 7, 2013
Posted in: willaful
Tags:

opposite

 

About two weeks ago, GoodReads announced they had been swallowed bought by Amazon, and I’ve haven’t written anything worth calling a review since. Even an exceptionally good book (Big Boy by Ruthie Knox) just got a short paragraph out of me. I’ve dried up.

My feelings are confused, not particularly logical, and definitely hypocritical. I buy stuff from Amazon, more than I want to, because it’s so freakin’ convenient and their customer service is so good. I don’t usually buy ebooks from them, because I prefer to support the standard epub format, but I’ll give in to a good sale. I’ve even left the occasional review.

But — and it’s a big but — I use a different name there, and I don’t usually review books. And I couldn’t even tell you why, exactly, except that I don’t like their reviewing culture, and I don’t like their untrustworthy reviews, and I just don’t want to be a part of it.

And now I’m a part of it whether I like it or not. Unless I give up all the benefits GoodReads has brought into my life.

I’m just depressed as hell, and who can write reviews when they’re depressed? I can’t even get up the energy to make corrections on GoodReads anymore. So there are typos and spelling errors, who cares… it’s not my home anymore, I don’t need to keep it tidy. (I suspect I’m not the only person feeling this way, since I seem to see more errors than I used to. And though only one of my friends has officially left the site, my updates feed has slowed down, too.)

GoodReads had a unique spirit. People could say what they wanted to say, rate how they wanted to rate. It was all about the users and how they wanted to use the site. That’s spirit has been eroding for quite a while now, and there’s little doubt it will erode further.

But I can’t say this is about just one thing. It’s partially rage that unpaid librarians did so much work for nothing. It’s partially fear of change. It’s partially not wanting words that I’ve poured my heart and soul into to be out there for Amazon to use as they will in their quest for world domination.  I recognize that I get something from GoodReads in return for the content I provide, and that it should be a fair exchange. But it doesn’t feel like a fair exchange any more.

Really, there’s no point in even trying to find the right words, the right reason. I just don’t have it in me to review books right now. And maybe it’ll come back, and maybe it won’t.

willaful-review-too-hot-to-handle-by-victoria-dahl

handleSensuality rating: On the tamer end of Torrid

Merry is happy to have found a job in Wyoming, near her closest friend, Grace. And after years of fruitlessly trying to find her niche, it’s also work she loves — turning a ghost town into a destination of historic interest. She’s crushed to discover that there’s a legal dispute over the project’s funding, and that she was hired mainly as a cheap interim measure, with no real power to do anything.

Desperate to make the restoration of Providence succeed, Merry covertly asks her neighbor Shane to repair the town’s buildings. Shane agrees, without telling Merry that he is the one disputing the funding; it’ll let him keep an eye on what’s going on, and perhaps help him stop the project he despises.  But as they get to know each other, Shane finds himself drawn to Merry’s enthusiasm, appreciation for domestic history… and wide, smiling mouth.  Against their better judgement they wind up in bed together, leaving Shane with a big problem: “Why the hell did her greatest passion have to be the one thing he couldn’t support?”

I had trouble getting into this at first — Merry seemed like such a sad sack, and Shane started out so cold. But Shane heats up very nicely, gradually noticing Merry’s attractive qualities — first her sweet round face and wide mouth, leading into her cleavage. This makes Merry come across as attractive in a believably ordinary sort of way. She thinks of herself as big and awkward, wears mostly funny t-shirts, and has no idea how to fix herself up, telling Grace, “When I put eyeliner on, I look like a five-year-old playing dress up. Or an eighty-year-old alcoholic trying to recapture her glory days.”  Even with Grace’s expert help, she knows that “[her] liner would be smudged and smeared within an hour. Her body rejected any transplants of prettiness.” That rang so true for me, and I enjoyed seeing her more subtle prettiness come through for Shane.

And Merry’s character turns around completely, the desperate, needy, unfocused woman who thinks, “I’m not even geeky enough to be good at being a sci-fi geek” (oh, I relate!) revealing herself to be strong in an unusual and striking way.  Merry’s life has been hard and it’s tempered her, because she’s refused to let it break her. By the end of the book, I admired her tremendously.

The depiction of Merry’s mother also stood out for me. The “hippie mom” is such an annoying stereotype, usually floating around wearing patchouli and sensing auras. Merry’s hippie mom wasn’t all that different from any other young single mom who struggled financially, did her best, and is now pretty much like any other middle aged mom. (With one minor exception which I won’t spoil.) Believably, she has a lot of sadness over Merry’s less than ideal childhood: “I wish I could’ve given you that when you were a little girl. A nuclear family. The American dream.”

As you can probably tell, the book hit me in a very personal way, which might not translate to other readers.  And Shane’s backstory and journey don’t have the authenticity and surprise of Merry’s, going in a predictable direction.  I liked the rest of the book so much I’m not really grading down for that, and give it 4 stars.

This is the second in a series, not counting several novellas; Grace and Cole from Close Enough to Touch are featured characters, but I think it would stand alone just fine.  You can buy it here.

Published by Harlequin. Review copy provided by netgalley.

willaful-review-a-most-unconventional-match-by-julia-justiss

matchSensuality rating: Steamy

A huge, inarticulate guy who’s shy with women — how could I not want to read more about Hal Waterman, after he was introduced in The Wedding Gamble?

Hal is instantly smitten with his best friend Nicky’s new sister-in-law, Elizabeth — which is why he instantly runs. The son of a noted ton beauty, he has no interest in having yet another selfish, demanding woman in his life. Besides, such an exquisite woman could never be interested in a big lout like him.

But when Elizabeth is widowed seven years later, at a time when Nicky’s entire family is abroad, Hall feels obligated to offer his assistance.  He finds her sorely in need of help, since she’s been cherished and protected her entire married life — including being protected from the fact that her husband was terrible at managing money. Hal takes on the role of helpful family friend while sternly admonishing himself not to consider being anything more. He has no idea that Elizabeth’s artist’s eye is fascinated by his unfashionably muscular body and handsome profile.

This book is all about the characters — in fact, every time the plot seems to be going to a possibly exciting or scary place, the issue is resolved fairly quickly.  Being an angst-whore, I thought that a bit of a shame, but it’s a charming story regardless, because Hal and Elizabeth are worthy characters going through interesting changes.

Everything we see about Hal shows how intelligent, competent and admirable he is — including a touching scene in which his warmhearted mistress urges him to leave her and follow his heart, despite the fact that she obviously adores him. Trust Hal to have a sweet, genuine mistress! (And I wish the poor woman had her own happy ending.) Hal might seem almost too perfect if it weren’t for his genuine trouble with speaking. Because of a childhood stutter, he’s learned to concentrate on the most important idea he’s trying to convey; his elliptical speech drops most articles and pronouns in a way that can make him appear cloddish. He’s also generally at a loss in an argument, because his brain outruns his ability to speak.

Elizabeth’s character is also sympathetic — she’s not a fool, but she’s been sheltered for so long, she has trouble finding her feet and knowing who to trust.  One of the lovely things about the story is that though Hal is only to happy to advise and protect Elizabeth, he also respects her talent and encourages her to live a life beyond being a proper, helpless lady. Elizabeth blossoms to the point that, in the end, she seduces him — pretending to want to paint him, she persuades him to strip. I was charmed by how the ladylike Elizabeth is so entranced by Hal’s body, she can’t stop herself from staring and touching. It also shows how she’s gained confidence in her ability to make decisions, and learned to trust her own feelings.

My gut is sort of leaning towards a 3 1/2 rating for this because of the overall lack of tension, but I’m going with a 4 because it’s unusual and thematically interesting.  It’s no longer in print but easy to find used, or you can buy it for Kindle here.

Published by Harlequin. Review copy purchased by me.

willaful-review-silent-scream-by-karen-rose-tbr-challenge

screamSensuality Rating: Steamy

The TBR challenge theme this month is a book in an unfinished series. I DNF’d this a few years ago, and honestly was just going to move on, but it turned out that the next Rose book I have to read follow-ups the events in this one. (Or so I thought. Paige actually doesn’t play that large a role here. Oh well, it’s read now.)

Silent Scream is romantic suspense, and the romance aspect has an interesting premise. In previous books, firefighter David Hunter has always seemed like the world’s most perfect man: giving, compassionate, heroic, as well as pretty as all get out. Here we discover why he’s so conspicuously awesome: he’s been doing penance for half his life, trying to make up for one night’s tragic, careless selfishness. The guilt he feels, along with that from another painful (though less tragic) mistake, has kept him from following up on a night spent with homicide detective Olivia Sutherland two years previously.  Olivia believes she means nothing to him, and because of painful events in her past, she’s disinclined to give him another shot.  But a complicated case involving arson and multiple murder gives them a new opportunity to find each other.

I’m sorry to say that just like I did on my first attempt, I felt very impatient with this story.  There are too many darn demons from the past hanging around – each main character has several and the information about them is dealt out bit by bit. A little of this goes a long way for me, and it seemed like they spend most of the first half of the book bewailing different top secret parts of the past. There are also way too many characters from their history mentioned. Even having read all the previous books and knowing who most of them were, I got overloaded.

Once the secrets are out, the romance is good. David and Olivia are well matched, both protective and competent people.  I’m one of those readers who wasn’t very big on Dana, the former unrequited love of David’s life, so I was rather pleased when David’s thinks, “That’s how Olivia’s different. She had the same need to protect without the drama Dana had always had swirling around her. Olivia got the job done. Efficiently and quietly. She’d do what needed to be done, the right way.” Including helping David heal his wounded heart.

The suspense parts of this romantic suspense were decently plotted, with some good twists. Violence-wise, this is one of Rose’s tamer books; there’s still a high body count, but no graphic scenes involving fixated serial killers who adore torturing people.  I was less relieved than it seemed like I should be, because the plot was incredibly creepy and seemed more like something that could actually happen. And there were so many unpleasant characters!

I think this may be one of those cases where since I started out annoyed, I just kept being annoyed. Even a highly emotional plot point didn’t work for me;  it was telegraphed a mile away and I found it manipulative rather than sad. I’m also getting tired of Rose’s tricks in regards to villains.

I’m giving this 2 1/2 stars, a rating I almost never give. I just can’t bring myself to give it 3, but 2 seems too low for a generally good book. You can buy it here.

Published by Grand Central. Review copy purchased by me.

 

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rowellSensuality rating: candyfloss

What I most love about Rainbow Rowell’s books (among with their wit, emotional resonance, perfect zeitgeist and so on) is that they make me feel like there’s a place for people like me, my husband, and my friends in romance. Not that either of her first two books is a romance in the genre sense, but I certainly don’t care.

This story alternates between two narrative styles. Half is told in the form of chatty emails between two coworkers at a newspaper, Beth and Jennifer. The other is from the point of view of Lincoln, the guy in charge of reading any company emails that send red flags, and then reprimanding the senders. But Lincoln loves the funny, interesting emails so much, he can’t bear to make them stop, or to stop reading them.

Jennifer is married, Beth is… kind of wishing she was too, but her ultra-cool musician boyfriend isn’t into it. And Beth is the one who becomes increasingly important to Lincoln.

She and Jennifer were both funny, both caring, both smart as whips. But Beth’s whip always caught him by the ankle.

He loved the way she put on kid gloves when Jennifer talked about her marriage and Mitch. He loved the way she riffed on her siblings and her bosses and herself. He tried not to love that she could recite scenes from Ghostbusters and could name all of the original X-Men — because those seemed like reasons a guy would fall for a girl in a Kevin Smith movie.

It’s lovely to see geeky characters who are neither made fun or nor idealized.  Lincoln, who’s never quite recovered from being dumped by his first love,  would look like a total loser on paper — underemployed, lives with his mother, still plays Dungeons and Dragons with his college friends. But he has enduring qualities like loyalty, sincerity, intelligence, and respect for love and relationships. So do his college friends, who would be a bunch of stereotypical dweebs played for laughs elsewhere. Most of them are married, some to each other; they have homes and kids. They still play games because they really like playing games. I was never much of a gamer, but most of my friends were/are, and I appreciate seeing that reality portrayed.

The book is mainly about Lincoln’s journey to full adulthood,  as he finally starts to let go of the past and blossom as a single guy, and it shows us why he’s an awesome person. He’s so tender and has so much to give; he cares in all the right ways.  We don’t see Beth other than in her emails until the end, but they show her humor and kindness, and the need she has for someone like Lincoln in her life.

This was my second read of Attachments — reading Rowell’s latest book Eleanor and Park made me want to reread it — and on this reading I was struck by a minor subplot about a bar-hopping player type and a woman he picks up. Romantic Lincoln thinks it would be impossible to find true love in a bar, but in fact that presumed one-night stand turns into a genuine relationship. I really liked how Rowell included a very different type of person, pursuing companionship in a very different type of way, but gave him just as happy an ending.  Yes — I won’t say how it works out, but the book does have a happy ending.

I gave Attachments 5 stars on the first reading; I think I liked it slightly less on the second, because I read it too soon after Eleanor and Park, but I’m not changing the grade — it’s an amazing book. You can buy it from Amazon here.

Published by Dutton. Review copy borrowed from the library.

P.S. I can’t write anything about geeks without including this video. It’s the law.

 

oh-reeeeeeeally

Oh reeeeeeeally?

Saturday, March 9, 2013
Posted in: Azteclady Speaks, Racism
Tags:,

Hello, people, long time no post.

But, as Karen hasn’t revoked my posting privileges :grin: here I am, ready and willing to rouse me some rabble.

To wit: you remember this post? (For those among you who’d rather not follow linkage, Karen blogged briefly about the many excuses black men have not to date black women–mainly the oft mentioned “angry black woman” stereotype.)

Every now and again someone–mostly men, from their comments–drops by with some witticism. Just today I saw this lovely pearl of wisdom, by some intellectual giant by the name of Jonathan:

Black women are the worst human beings on the planet. Their internal sense of inferiority combined with an external braggadocio cause them to act irrationally and obnoxiously in every possible circumstance.

If every black woman dropped dead, this world would be a better place.

Dear Jonathan, if every asshole who thinks as you do dropped dead, the world would be an incredibly nicer place.

willaful-review-something-less-than-love-by-daphne-clair

lessNonconsensuality rating: Steamy

Notice: contains spoilers. A version with most spoilers hidden can be found at GoodReads.

This romance from 1980 has a serious intrinsic problem: the hero is not appreciably better than the villain.  What’s most interesting to me about that is that the author obviously knew it.

“Already today, Ross had manhandled her — her inner lip still throbbed with a small swelling from his brutal kiss, and her arm tingled where he had held her to stop her struggling — and now Thad seemed determined to treat her equally roughly.”

“… he had left her, alone with her terrible humiliation. His brutal cruelty far surpassed anything Ross had done to her.”

Vanessa to Thad, about Ross: “I might have managed it by flattering his vanity. Like you, he has more than his fair share of that.”

Can you even tell which one is supposed to be in which role?  These are just quotes from the last quarter of the book, which is when I started taking notes. There’s also quite a bit earlier about how Thad and Ross are similar in their style and approach to women (even aside from their manhandling ways.)

I started to wonder whether Clair was being deliberately subversive, but by the end of the book thought it more likely that she was trying to achieve something that just doesn’t play very well today, if it ever did. Thad’s bad behavior (yes, he’s the hero) might be easier to overlook in another context but when it’s highlighted by its similarity to the bad guy… well.  Notice to romance writers: when you have your hero rape your heroine right after she just escaped being raped by another guy,  you had better provide a damn good grovel/redemption/world’s largest box of chocolates from the hero. Or in this case, have him hit by a truck again.

Vanessa is thrilled to have her husband home from the hospital, after the accident that happened right after their honeymoon. But the scar on his face isn’t the only thing different about Thad  — he’s hostile, withdrawn, and humiliates her when she initiates physical contact. (At first — later he just starts raping her.)  Something has poisoned their marriage. Meanwhile, Vanessa is having to fend off the increasingly nasty advances of her ex-lover and current boss, Ross.

I’m giving this 3 stars mainly because I did find it interesting, but I wouldn’t call it a satisfying romance. It’s understandable that Vanessa would make some allowances for Thad after a serious accident, but things get so ugly between them and she just does nothing, not even really attempt to talk to him about it.  The resolution lacks closure for me, especially after Thad does something else I think it would be incredibly hard  for a marriage to easily bounce back from: he creates a clay figure of Vanessa that makes it obvious he finds her sexuality repellent and disgusting. The ending is supposed to say something about love and forgiveness, and show that Thad truly is a different man. Who knows… maybe I would have bought it in 1980.

The book is out of print, but inexpensive copies are available here. It’s also available at paperbackswap.

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Olivia Boom Goes The Dynamite large

Last night saw another excellent showing of Scandal. Loved it so much, even though it was hard seeing Fitz in the state that he’s currently in. The Scandal cast are Delivering. Every. Single. Week.

I just wanted to highlight Liv’s epic monologue from the episode. Every time I watch Kerry Washington deliver these lines, it just makes me cry.

Basically, Olivia has figured out that Will Caldwell, a client who wants to be the next governor of North Carolina is having an affair. The affair is ten years old at this point. As we all know, Liv has personal experience of this herself with the president, and they are not in a good place right now. This discovery really speaks to the pain that she’s currently in, and her words to Will after catching him with the love of his life reflect this in a huge way:

“End it. Now…You have nothing. You have a pile of secrets and lies, and you’re calling it love. And in the meantime you’re letting your whole life pass you by while they raise children and celebrate anniversaries and grow old together. You’re frozen in time. You’re holding your breath, you’re a statue waiting for something that’s never going to happen. Living for stolen moments and hotel hallways and coat closets. You keep telling yourself they all add up to something real because in your mind they have to, but they don’t. They won’t. They never will because stolen moments aren’t a life. So you have nothing. You have no one. End it now.”

*sob*

PS, Can I just say though, how fucking great was it to see the Olivia that we know and love? She’s back, and I’m here for it, and loving it!

p-s

P.S.

Friday, February 22, 2013
Posted in: Uncategorized

Just a quick note: Escorted by Claire Kent is free for Kindle today.

willaful-review-fair-game-by-diane-farr-tbr-challenge

gameThe Challenge: pick a recommended read

Why this one?: I’d heard it was one of Farr’s best books

sensuality rating: sweet but spicy candyfloss

It’s interesting to compare this book to An Offer from A Gentleman by Julia Quinn, which was published just two years later. Both have the same basic plot: a successful/high ranking man tries to convince an illegitimate woman to become his mistress. Despite being in desperate straits and very attracted to him, she refuses.  (I love historical reluctant mistress romances  — there’s a whole GoodReads listopia of them and I’ve read almost every one.) But as you could tell just from the difference in titles — one a modern cultural reference, the other a witty pun — Fair Game is a traditional Regency, which means that when she refuses she really refuses — that is, they don’t wind up in bed anyway. And the hero’s reasons for pursuing the heroine aren’t prettied up as they are in Quinn’s book — here, he thinks she has no chance at a respectable life and will inevitably wind up a prostitute anyway, so why shouldn’t he be the one to get her started?

Wealthy businessman Trevor Whitlach is very susceptible to a pretty face, and when a notorious courtesan offers him her exquisite daughter to pay off a debt, he impulsively agrees — only to discover he was had. The beautiful Clarissa was raised by her father to be a lady, and she has no intention of discarding her values, useless though they may seem to be. Trevor wouldn’t dream of trying to seduce a virtuous lady, but with no name, family, or fortune, Clarissa is truly fair game. But she’s also the most delightful woman he’s ever met, and if he can’t convince her, he’s not sure how he’ll be able to live without her.

I’m giving this four stars because it’s such an excellent traditional Regency, with an appropriate period tone and sizzling sexual tension — not to mention having one of the very best last lines I’ve ever read.  (It’s also a rare trad. that doesn’t take place amongst the ton — no nobles, no Almacks.) But I didn’t connect emotionally with the characters as much as I have in other similar books — Foley’s The Duke or Layton’s The Duke’s Wager, for example. Trevor never seemed that attractive to me, and Clarissa is more a pattern card of perfection than a real person; Farr’s characterizations are much more interesting in The Fortune Hunter. Still, the emotion of this situation never fails to get to me. This was my favorite scene, in which Trevor makes a last ditch effort to buy Clarissa, still unable to see what that would mean to her:

“Five hundred a year,” she said, in that same colorless tone. Then she seemed to recover. A muscle jumped in her jaw. “But my fortunes would be forever linked to yours,” she uttered cooly. “What if you suffer loses in the future? What if your businesses fail?”

Anger licked through him. Damn her bluntness. He had never had to spell matters out like this before, but leave it to Clarissa to dispense with delicacy.

“I will set aside money now, Clarissa, while I am still relatively plump of pocket!” he said sarcastically. “Sufficient funds will be safely invested in the three-per-cents. They will be held in trust for you during your lifetime, and the income will be paid to you quarterly.”

“During my lifetime,” she repeated, her head tilted consideringly. “But nothing to leave to my children.”

“Perhaps you could bring yourself to set a little of your income aside from time to time!” he suggested through his teeth. “No, Clarissa, I am afraid I must reserve the principal to revert to my own estate.”

Her eyes lifted again to his, fathomless, fathomless depths of blue. “What if,” she inquired softly, “the children are yours?”

For a moment, Trevor forgot to breathe. “

This is why I read historicals, for those breathtaking moments when the stakes are high.

Fair Game is once again in print and available digitally under the title Playing to Win; you can buy it from Amazon here.

willaful-review-this-time-forever-by-kathleen-eagle

foreversensuality rating: steamy

This RITA winning romance from 1992 has some serious meat on its bones, and as always, Eagle manages to make hard, complicated themes utterly enthralling to read.

Rodeo star Cleve Black Horse is on trial for first degree murder, with a lawyer who believes he’s guilty and a jury nothing like his peers. His faith is pinned on one juror, a white woman he can tell believes his story — but he winds up convicted anyway.

Fate seems determine to intertwine Cleve’s life with that of the juror, Susan. She’s the nurse in the emergency room one night when Cleve is stabbed by another prisoner. And that same night, Susan falls in love with an infant boy prematurely taken from his dead mother — a baby that may be Cleve’s. Susan can’t get permission to adopt an Indian child, so she desperately approaches Cleve in prison, despite knowing he has good reason to hate her.

This was such a vivid, compelling story, especially the first half. Even pretty much knowing how it would end, I was fascinated by Cleve’s trial. Eagle skillfully shows how culture clashes and racism are working against Cleve; at one point, the prosecutor make a big deal about Cleve taking his saddle with him when leaving the murder scene, while to Cleve, the saddle is so much a part of his identity, he can’t even find the words to explain it. His incompetent lawyer never picks up on this to help him, but we learn more later when Cleve tells Susan, “You know what being a cowboy mean to me? It meant not being an Indian. I mean, when I was winning, you know? When I was the man to beat. I didn’t have to be an Indian every time anybody looked at me.”

The writing is honest and unsparing. Ugly things happen, and they often have ugly consequences. But both Cleve and Susan are good people who’ve made mistakes, and their essential warmth and humanity and growing feelings for each other keep the story from getting bleak. Not everything gets wrapped up neatly at the end but Susan and Cleve wind up right where they belong, together.

Although I didn’t find the second half as riveting as the first, this was such an extraordinary novel I have to give it 5 stars. You can buy it from Amazon here (and as of this writing it’s only $1.99 for Kindle, but I’m not sure how long that will last.)

Originally published by Avon. Reprint published by Bell Bridge Books. Review copy from NetGalley.

tab-a-part-2

Tab A Part 2

Friday, February 15, 2013
Posted in: willaful

Just a quick follow-up to my post on sex in Claire Kent’s Escorted: she’s interviewed at “Wonkomance” and talks directly about it.

“I actually had a great time with the early clinical sex. It was so different from any sexual scenario I’ve written before that I really enjoyed the challenge.”

Check out the post to read more; they’re also having a giveaway.  Giveaway is over.

scandal-olivia-and-fitz-promo-video

This is an Olivia and Fitz Scandal promo from ABC, that I love, love, love! It obviously helps that the music is by Emeli Sande, who has the most exquisite voice….