HomeReviewsInterviewsStoreABlogsOn Writing
michelle-reviews-wheels-of-steel-by-pepper-pace

Wheels of Steel 1-3 by Pepper Pace

Heat Level: Torrid

Multicultural: Black Woman, White Man

This author is one of several I discovered on Literotica, and like many of them, she’s a very talented storyteller, but she drives me batshit crazy and here’s why. She needs an editor, BADLY. Not just for typos, which are legion, but she desperately needs someone to go back and cut the living hell out of this series. At nearly 250k, it’s too damned long. There are actually three books, and you have to read all three to get the whole story. The first book is significantly better than the other two. In addition to the issues mentioned, there’s head-hopping galore, and I lost count of the POVs. In my opinion, given the age of the characters and the fact that many of their struggles are parent related, I think Pace should’ve cut out the erotic aspect and made this a YA book. Despite all these flaws and many more, I.Couldn’t.Put.It.Down. Pace has created some of the most interesting characters I’ve read in a long time.

I bought this book because someone (Ridley?) mentioned on another blog that they’d never read a romance featuring a handicapped person that didn’t read like an After School Special. Even worse, most of them have a miraculous cure at the end. I realized that I hadn’t either, and given the number of years I’ve been reading the genre, that’s a shame. In this story, the hero does get better, but it’s at great risk to his health, and it’s certainly no miracle cure. I also like books that feature music, and in this one I learned probably far too much about making hip hop mixes.

This story details the rather convoluted romance between Jason, a 19-year- old college student/DJ who has cerebral palsy. Robin who is 21 starts out as his aide and eventually becomes his girlfriend. Jason has seizures and sometimes chokes when he eats. In addition he occasionally needs assistance with toileting. Despite this, he is an absolutely awesome hero. Jason is loving and protective, and very frustrated with the limits his disorder places on his body. You can all but feel his passion, both for Robin, and for music, leaping off the page. He’s strong and resourceful and uses his ingenuity to protect Robin. Believe it or not, Robin, the heroine is far more messed up in the head than Jason is, though neither would win any medals in that regard. They both have overbearing mothers, and Robin is struggling with some residual grief/guilt from the death of her father. She is almost pathologically shy, suffers from anxiety and recurrent episodes of IBS. Yes, both the cerebral palsy and her gastrointestinal difficulties are discussed in fairly graphic detail.

Robin’s father recently died, and she’s decided not to go to college because she struggles with her shyness and seems to have some type of learning disability. Because of this, her mother threatens to take back the car she received for high school graduation. Desperately wanting to keep the car she gets a job at a fast food restaurant so she can pay the note herself, then takes on a second job as a home health aide when she was still coming up short financially. After a couple of miscues with the home health agency she is hired to assist Jason who initially is an absolute jerk. Gradually she is pulled into his entire life, including his friends who are members, of his band, Wheels of Steel.

The band consists of three other characters, Peter, who is also wheelchair bound, Amberly, who also has cerebral palsy, but can walk, and Belinda, who, as far as I can tell doesn’t have any disabilities, though she certainly has issues. All these characters have stories of their own, especially Amberly, who is in love with Jason. Robin has a hard time even making eye contact with others, and has never really made any friends before, so it takes her while to warm up to all these new experiences. She is an incredibly giving person, and it’s easy to see why Jason falls so passionately in love with her.

Jason has moved out into his own apartment to get away from his overbearing mother. He was once able to walk, but lost that ability due an aide neglecting him when he was a child. He can take medication that will help him, but it’s dangerous and his mother refuses to give him the money for the treatment. Pace does an excellent job showing us the two of them falling in love, and the forces that threaten to pull them apart. The only sour note in their relationship to me is what I see as Robin’s overreaction to a mistake Jason makes at the end of the story. But I am incredibly biased because I’m half in love with the guy myself, so you can take that with a grain of salt. So here is my quandary; how can I recommend what is by all measures a poorly written book? The only thing I can say is, if you can get past all the issues I mentioned that the beginning of this review, you will definitely enjoy this story.

Pepper Pace is one of the Young Turks in the multicultural niche. She deliberately chooses unconventional characters, and it usually works. In one of my favorites the hero is a homeless man who is mentally ill. The younger writers seem to come at the genre from a different angle. For one thing I think many of them are fans are soap operas, as their stories have a great deal of drama in them. This type of storytelling is probably very popular with a generation that was raised on reality TV and the likes of Jerry Springer. It’s a different outlook, but I think I like it. Certainly it makes for great story-telling.

You can buy Wheels of Steel 1 here. (I’m too lazy to link all three.)

willaful-review-and-thoughts-always-in-my-heart-by-kayla-perrin

 

 

Sensuality rating: steamy

This is my first book from Harlequin’s “Kimani” line, and my primary thought reading it was that it’s really messed up that there needs to be an entire separate line for romances with black characters. By any standards I can think of, Always in My Heart is a category romance — it’s a secret baby story, for crying out loud, what could be more typical? — and could be published under a general line, which makes Kimani seem like a publishing ghetto.  Or is it valuable as a tool for people to easily find romances with black characters?  There’s no one definite answer, as the author points out in a Karen Knows Best interview from 2007:

KP: in many ways, I understand the publishers’ dilemma. They know there is a huge AA market. They want AA readers to be able to easily identify books they might relate to. The easiest way to do that is to make the covers ethnocentric.

Booksellers say the same thing—that having an AA section where there is a large AA readership helps readers know where to go to find the stories they’re looking for. It’s the kind of question for which there isn’t necessarily an easy answer.

KKB: What are your thoughts on niche marketing? What do you think the limitations are if any?

KP: I think there are lots of limitations, one of which is alienating the general reader. There really is a feeling, with the current marketing, that if the books are being marketed to the AA reader, then that’s the only demographic which will enjoy AA books. That’s a serious limitation.

I know there are category lines that do publish a few romances with black characters. This is what I’ve noticed in my (extremely limited) reading experience:

The Kimani romance: standard category, no major focus on race, but did include an issue particularly relevant to the characters as black people. The heroine and hero were both activists against racially motivated police violence; the original conflict between them was his joining the police force to try to improve the system from within, and her seeing this as a betrayal. Also, their son is given a West African name. I thought the story did a good job overall of having black characters without making everything be about the fact that they’re black; perhaps other readers might think there’s not enough about it.

The Silhouette Desire romance (name forgotten): This was an absolutely typical Texas tycoon story and nothing, except the cover and a very minor mention of the heroine’s skin tone, indicated in any way whatsover that the main characters were black and that the writer was black.

Of course this comparison is useless because you can’t make a judgement about entire lines based on two books. Still, it gave me food for thought. It’s as if the Desire characters were allowed to be black as long as readers don’t have to think about it; Kimani characters got a little more freedom within the basic formula, although only the most bigoted “general i.e white reader” would find anything in the story to alienate them. I’d love input and title recommendations from others who’ve read these lines more extensively.

As for the book itself: If I were rating solely on the writing, I’d give it 2 1/2 stars. The style is bland and there’s a lot of grating repetition; when every character uses the same phrase to describe a situation (“couldn’t be faithtful” is said about an offscreen character three times) it doesn’t feel real to me.

I’m rating it up a bit because I found the portrayal of Nigel so appealing. He’s very vulnerable, having loved Callie devotedly and been deeply wounded by her. Unlike many romance heroes, his pain doesn’t cause him to act out in hyper-masculinized ways; he’s a family man at heart and is still hoping to find the right woman to settle down with.  Although he’s wary of Callie, fearful she’ll run away from him again, he embraces his newfound son with complete commitment.

So as a pleasant story with an appealing hero, I’m giving it three stars; I’ll probably check out the next books in the series, which will be about Callie’s sisters. You can buy Always in My Heart from Amazon here or from B&N here.

A few more pertinent comments from the interview:

KKB: Have you been personally involved in trying to bring about changes within the publishing industry, with regards to how African American authors are treated? If so can you tell me about your efforts?

KP: I have voiced my opinion in support of having an AA category for the Rita Awards, since our books don’t final (or hardly ever) in the current categories. We have some fabulous books out there, but they’re not finaling. I’d love to know why.

KKB: Do you think this will still be a controversial subject in five years time, or do you think major changes would have been made by then?
KP: The cynic in me says that in 5 years, it will still be a controversial topic. The dreamer in me hopes there’ll be substantial changes. Only time will tell!

This interview took place in 2007 — five years ago. There’s no African American RITA category and in 2012 there were no African American winners. It looks like time hasn’t told us anything very encouraging.