As a participant in the release tour, I was lucky enough to receive an ARC of Nalini Singh’s new contemporary romance, Rock Addiction, the first in a five-title series called Rock Kiss, that she’s self publishing. As most of you know, part of the deal, when participating in an author’s release tour, is to write and publish a review of the book in a timely manner. Please note that neither the author nor TRSOR Promotions, who organized all the blogger events related to the release, have asked for anything but a review, period.

However, and in the interest of full disclosure, I am a fan of Ms Singh’s Psy/Changeling series. I am not a fan of her Guild Hunter series, and up to now I have only read one of her previously released category contemporary titles, Desert Warrior–and I confess that I wasn’t terribly impressed with it.

With that in mind, this is my (quite long) review:

Rock Addiction, by Nalini Singh

A few years ago, Sarah of the ever Smart Bitches and Jane of the wonderful Dear Author created a campaign to Save the Contemporary! Why, you may ask. Well, because for a while there it seemed that single title contemporary romance had disappeared off the face of the earth. We had–and still have–plenty of contemporary category length romances, but they are problematic in their own way, as they must conform to stringent requirements specific to their publishing line. And most single title, full length contemporaries for a good long while seemed to be required to include a thread of suspense–there was a stalker, an unsolved murder, a conspiracy, a ghost, vengeance…you name it. It seemed that there could be no romance without external conflict.

(Feel free to tell me my reading is limited and list all your recommendations for good, straight up contemporary romances in the comments.)

And so, imagine my utter delight in reading a contemporary romance about two adults, with nary an external conflict or contrived plot point! Yes, reader heaven indeed.

Mind you, there is conflict, and these two people have plenty of baggage, but they deal with it, both their own and each other’s, by talking–whodathunkit, right?–and by valuing and respecting the other’s feelings as much as their own.

Here’s the blurb provided by the author:
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